June 18, 2013 / 10:03PM 323 notes

nwkarchivist:

30 Years Ago Today, Sally Ride Blasts Into Space & History

From a systems-engineering standpoint, it is easy to identify the point where Sally K. Ride began to leave the rest of the world behind. A flow chart of her life would show the crucial decision coming one day in 1977, when — as a 25-year-old astrophysicist winding up her doctoral work at Stanford University — she spotted an announcement in the campus newspaper about openings in the astronaut program, a career she had never even contemplated for herself. In what once would have been called an epiphany — but she herself would probably describe as a go/no-go decision node — she was up and out of the room before she had finished reading the notice, one of more than 1,000 women and nearly 7,000 men to apply for what would ultimately be the 35 slots in the astronaut class of 1978. Not everyone’s life resolves itself so neatly into yes- or-no decisions, taken in an instant and never looked back upon or regretted, but, if Sally Ride’s life proves anything, it is that the very smart are different from you and me.

Newsweek  June 13, 1983

nwkarchivist:

30 Years Ago Today, Sally Ride Blasts Into Space & History

From a systems-engineering standpoint, it is easy to identify the point where Sally K. Ride began to leave the rest of the world behind. A flow chart of her life would show the crucial decision coming one day in 1977, when — as a 25-year-old astrophysicist winding up her doctoral work at Stanford University — she spotted an announcement in the campus newspaper about openings in the astronaut program, a career she had never even contemplated for herself. In what once would have been called an epiphany — but she herself would probably describe as a go/no-go decision node — she was up and out of the room before she had finished reading the notice, one of more than 1,000 women and nearly 7,000 men to apply for what would ultimately be the 35 slots in the astronaut class of 1978. Not everyone’s life resolves itself so neatly into yes- or-no decisions, taken in an instant and never looked back upon or regretted, but, if Sally Ride’s life proves anything, it is that the very smart are different from you and me.

Newsweek  June 13, 1983

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June 18, 2013 / 10:02PM 18,964 notes

nippled:

*throws confetti at you* be quiet

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June 18, 2013 / 10:01PM 52,103 notes

pulitzerprincess:

looks like some of y’all will have a little problem next year 

pulitzerprincess:

looks like some of y’all will have a little problem next year 

(via edmundherondale)

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June 18, 2013 / 9:45PM 72,362 notes

megumiovvo:

chuck-charles:

i made a makeup tutorial for all my fellow feminists out there bye

jfc

watch it

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June 18, 2013 / 9:32PM 132,588 notes

spatialsoloist:

It amazes me that I can accurately type at top speed without looking at my keyboard but still pour water down my shirt ‘cause I missed my mouth in general.

(via rhodesstark)

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The show’s procedural-itis, to no one’s surprise, also gets underfoot: cases are generally forgettable, exposition happens half again as often as necessary, and cliches arise — the callous interrogation of a domestic abuse victim, some halfhearted spy rhetoric, and the ol’ murderous-callgirl gambit are all deployed. It’s not shocking, given their twenty-four-case dossier, but they’re sour notes in a show that knows better.

And we know it knows better, because of a proliferation of “trifles” that build a remarkable and nuanced world — presented not in the service of Conan Doyle, but in the service of everything else.

Beyond Watson, the show holds a modern frame: women and people of color are everywhere, as cops, doctors, groundskeepers, geneticists. It’s not just that Sherlock’s sponsor is a POC security expert; it’s that when he and Joan meet she makes some assumptions, and he calls her out; they become friends. When the show follows Detective Bell’s rocky relationship with his brother, he code-switches between the stationhouse and his brother’s. Joan treats most women as allies, not obstacles, and has a complicated relationship with her mother that still avoids Asian-mom cliches. Ms. Hudson is a trans woman character, played by a trans woman, whose identity is unquestioningly accepted and whose attractiveness is taken for granted while not defining her.

It all matters. And it’s all notable, if for no other reason that so much of it has nothing to do with Holmes. When it does, it illuminates him or teaches him a lesson. (He accepts Ms. Hudson’s gender preferences without question — that’s good! He makes note of Watson’s menstrual cycle and gets called out for misogyny — that’s also good!) The world of Elementary doesn’t support a Holmes whose intellect justifies dickweedery; Holmes has to negotiate that as much as he does his cases, keeping just enough bullshit in reserve to give Watson something to roll her eyes about occasionally.

Elementary Demonstrates the Right Way to Update a Classic Hero, Genevieve Valentine (x) article contains spoilers (via geekykristie)

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June 18, 2013 / 6:49PM 47,161 notes
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June 18, 2013 / 6:44PM 2,375 notes

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June 18, 2013 / 6:41PM 48,210 notes
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June 18, 2013 / 6:15PM 1,939 notes

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